Signed in as:
filler@godaddy.com
Signed in as:
filler@godaddy.com
This afternoon Lydia and I headed to mac Birmingham to go and see Dynamik Theatre’s production of The Addams Family, a musical that has been on my bucket list for quite a while now. Lydia, like me, enjoys both the original Addams Family films and the newer Netflix show Wednesday, so she was intrigued to see the musical written about the macabre family.
The Addams Family musical takes place over a day or two in the lives of the family, with Wednesday inviting her boyfriend Lucas and his parents to dinner to meet her family. Wednesday has fallen head over heels in love and is experiencing that glowy feeling of a new love. All she wants is for everything to be ‘normal’ when the two families meet, and she confides in her father about her relationship… trapping him squarely between his wife and daughter – definitely a rock and a hard place situation!
The Addams Family score is fantastic, and the cast (and band!) did it absolute justice. The live music was really well done, and we could glimpse the band at the back of the stage as they played. Lydia and I were blown away by the local talent on display on stage, with some really wonderful voices among them. In particular, we loved Sam Andrews-Lyons’ performance as Gomez and Sophie Stait’s Wednesday. Both of them wowed us with their vocal performances and acting, particularly in their performances of Pulled and Happy/Sad.
Steph Westwood put in an impressive performance as Morticia, and Alex Stait-Bradshaw as Alice – both of them had wonderful voices. Ed Blann’s Fester was hilarious as he conspired with the ancestors to encourage love to prevail, breaking the fourth wall on occasion and keeping the audience chuckling throughout. I have to say, though, that the whole cast were generally great, and we both enjoyed the ensemble who danced and sang around the stage as the Addams family ancestors.
Lydia and I both thought the set and props were pretty good, especially for a local theatre company. There were two large moving set pieces that were rotated to become different walls, rooms, gates and so on, with curtains that could be opened or closed to reveal the furniture within. The costumes were great, and we both thought the ancestors’ outfits and makeup were particularly good.
It may have been an ‘amateur’ performance, but it certainly was an impressive production with a talented cast, excellent musicians, and some great costumes, props and sets. There were a few wobbly tech moments, with missed mic cues and the odd bit of wonky lighting, but these didn’t detract from the performance too much.
The show unfortunately had a stop in the first act – these things happen to all performances, both amateur and professional (James and I experienced one just a few months ago at the Alex). The cast, crew and band picked it up perfectly afterwards, beginning again from the start of the scene and even dealing with the slight issue of props not being reset. A few costume malfunctions were also dealt with professionally, with the cast not allowing them to derail their performances.
Overall, The Addams Family was a really enjoyable afternoon at the theatre, and a great showcase of the talent we have locally. The few technical hiccups and the interruption in the first act stopped it from being quite a five-star production for us, but they didn’t take away from what was otherwise a very entertaining show. It’s definitely a ★★★★☆ from both of us.
★★★★★ An excellent and funny comedy about life in a very misfit family On the edge of Cannon Hill Park in Birmingham lies a lovely theatre inside the Midlands Art Centre (MAC). It is here that Dynamik Theatres are staging their latest production The Addams Family, after putting on Rent in Bromsgrove a couple years ago.
In the Sixties, we had the BBC and “the other side” broadcasting American imports which were not yet in glorious colour. Between 1964 and 1966, CBS aired The Munsters whilst ABC aired The Addams Family, both series aimed at taking the mickey out of the cosy comedies of the time about American suburban life by presenting a “different” type of family. Whilst The Munsters has more or less faded from memory, The Addams Family has gone from strength to strength with multiple adaptations, films and even a hugely successful spin-off in Wednesday on Netflix starring our very own National Treasure Dame Joanna Lumley. It has also become a production loved by local companies to present, not surprising as it encompasses comedy and acting and, of course, a whole host of "dead" people! So plenty for the cast of more than 20 to get their teeth into.
The show got off to a really rousing strong start with the impressive 10-piece band's overture starting with, of course, the famous finger-clicking theme tune. Unusually, the band weren't hidden away but instead filled two levels at the rear of the stage, which is always good to see.
Soon after are introduced to the main characters of the New York Addams family, father Gomez (Sam Andrews-Lyons) and mother Morticia (Steph Westwood). Their daughter Wednesday (Sophie Stait) has now turned 18 and horror of horrors, she is in love with Lucas (Jake Miles) from Ohio and has even ditched the customary family black to wear a bright yellow dress to stamp her independence on the matter.
It was all going so well...
And then, 45 minutes in, all the microphones suddenly seemed to stop working leading to the stopping of the show temporarily and a bit of a panic while the tech staff did their stuff to identify the issue. What was amusing as far as the audience was concerned - and definitely unintentional was that one of the crew's mics had not been switched off and we could hear them whispering in hushed tones behind the scenes about how it was sometimes a good thing to experience these little issues...
The show resumed thankfully, everyone's mic was working and we were treated to more scenes culminating in the Full Disclosure game where they had to reveal a never-revealed secret. At this point Lucas's mother Alice (Alex Stait-Bradshaw) revealed her true feelings for her husband Mal (Ollie Harper) wishing he could go back to the bandana-wearing guy she first met. This was thanks to a potion she had mistakenly taken after Wednesday's brother Pugsley (Marley Beckford) had laced the drink in the Full Disclosure fame. He wanted Wednesday to drink it to kill off the love - and potential marriage - between her and Lucas so that she could continue physically torturing him, something they both enjoyed(!).
That potion had come from a very naughty parent of Gomez and Morticia (played by Kate Green), so naughty that both assumed that she was the mother of the other… not surprising as she spends her days in the attack smoking weed and preparing various potions.
The other 2 main characters are the almost silent dead-faced servant Lurch (Evan Moss) whose face does finally light up at the end of the show and Uncle Fester (Ed Blann), the one character who talks directly to the audience and who falls in love with, and sings a lovely heartfelt lament to, the moon.
Oh and yes, Thing (full name Thing T. Thing) does make an all-to-brief appearance. Blink and you might miss it!
Music is at the heart of the show and with the live band, the solos- especially the many performed by Sam Andrews-Lyons who has to perform whilst maintaining his pseudo-Spanish accent - duets and ensemble pieces were superbly done. This was often accompanied by dance routines which involved all of those in the show.
All in all, this is a very professional-looking show even with the slight glitch which could, and indeed does, happen to even the most expensive of shows. What is a pity is that it had only 4 performances - after all the work to create the set, rehearse the music and acting, it could have done with more exposure for this talented group of people who certainly gave it their all.
It was lovely to head to the MAC theatre this Friday evening, an new venue completely for me, but Dynamik theatre filled it with the spooky energy of the The Addams Family. I am a regular attender of Dynamik shows and always know I am in safe hands with this group! Friday was absolutely no different.
Based on the famously macabre Addams family, The Addams Family follows Gomez, Morticia and their delightfully eccentric relatives as they face an unexpected challenge when Wednesday falls in love and brings her new boyfriend home. Blending dark humour, quirky characters and plenty of theatrical chaos, the musical explores family, love and the importance of embracing what makes you different.
Now lets get to the many highlights of this show! Starting with our ‘Addams Family’. Gomez portrayed by Sam Andrews-Lyons was an absolute delight. Funny, charming, with a Spanish flair, he was a great scene partner to those he appeared on stage with, counterbalancing their straight man with the appropriate amount of crazy. A fantastic voice, he characterised Gomez perfectly, fans of the Addams Family will not be disappointed!
Morticia was played by Steph Westwood, someone who I have seen in many main roles in Dynamik and she was the same reliable lead in this show. Her vocals were absolutely fantastic, her comedic timing was brilliant and her dry nature lead to many comedic moments. We felt for her as husbands ‘secret’ was exposed, and she played the furious then forgiving wife excellently. A highlight between Gomez and Morticia was their tango at the end of Act 2! An incredibly difficult choreo moment executed well.
Next to Wednesday Addams, played by the brilliant Sophie Stait. She characterised Wednesday to absolute perfection, her face never once broke and neither did her vocals. Both her big songs ‘Pulled’ and ‘Crazier Than You’ were audience favourites. Her part in the show completely lead the story, her hilarious interactions with her family made the show for me, her interactions with Gomez particularly funny but sensitive as well, both elements played expertly.
Onto the wider Addams Family, Fester played by Ed Blann was a sweet, romantic portrayal. His vocals were great, completely committing to the Uncle Fester role. His romance with the moon was particularly sweet, an amazing ballet performance ‘on pointe’ from Lauren Toney was really beautiful. A moment with the moon at the end of Act 2 really has to be seen to be believed, I will very much encourage you to see the show for that reason alone. Young Pugsley (Marley Beckford) was brilliant, such a physical role climbing up and down the set, being Pulled around by Wednesday, all whilst singing incredibly well and having the audience rooting for Pugsley.
The mysterious Grandma was played by Kate Green, who was completely hilarious and was born for this comedic role! The audience was in bits when she appeared on stage, her craziness was a real highlight of the show. Finally Lurch, Evan Moss, who was the helpful family Butler with so many comedic moments, many of which it took the audience a few seconds to understand, making the pay off even better! He had a brilliant and unexpected vocal moment at the end of Act 2.
Now onto the Benicke family. Firstly Lucas played by Jake Miles. He played the role brilliantly, characterisation was fantastic as we believed his complete devotion to Wednesday and his panic with his family meeting the Addams. His vocals were fantastic, as well as his scene partnership with Sophie Stait, they played incredibly well off each other! Mal, Lucas’ father was played by Ollie Harper, another Dynamik regular. His journey in the role of Mal was really fun to watch, from a buttoned up figure to the ‘old’ Mal, again vocals were fantastic. Alice was played by Alex Stait-Bradshaw, she was a real highlight. Some incredibly complicated vocal moments, executed to perfection, her performance was also completely hilarious and left the audience laughing.
The Ancestors were our Ensemble. Providing not only excellent dances, fantastic cast vocals, brilliant costuming and makeup, but were also moving sets whilst action was happening on stage! And whilst cast members were stood on these structures. It was so effective and really elevated the performance. This group was consistent and amazing, they really added to the show. Some members that really stood out were Steve Element, Marianna Samara, Daisy Williams, Caitlin Banks, but honestly I can hardly recognise so many of them (a testament to the amazing makeup)!
Something I would love to highlight is the lighting! It was really effective for the stage, Jake Taylor did a fantastic job there, it really added to the immersion of the story and a professional feel. A big shoutout to those backstage, stage managers, sound, it was a brilliant effort that translated incredibly well to stage.
The production team, Artistic Director Jamie Poxon, should be incredibly proud of this show, his direction was really fantastic and his hard work was really reflected in the talent of the group. Musical Directors Oscar Cooper-Spriggs and Fiona McCanlis as well as the larger band looked like they were having incredible fun, bringing the pieces to life and the company was directed vocally very well. Assistant Choreographer Caitlin Rice-Jones did a fantastic job with the company, producing spooky moves that immersed us further into the Addams world!
This was overall a fantastic show, running for this weekend only! Tickets will be linked below, so get them quickly and you will be in for an incredibly enjoyable show!
First of all, a very warm welcome to Dynamik Theatre Company, who are first-timers at our BFame Festival. It was a pleasure to see you bring The Addams Family to The MAC in Birmingham, and after watching your afternoon matinee, I can certainly see why this company has plenty to be proud of.
The Addams Family introduces us to the wonderfully eccentric Addams family, a family who have always done things just a little differently. Gomez and Morticia are happily married, but daughter Wednesday has grown up and fallen in love with Lucas, a rather more ‘normal’ young man. The problem is that Wednesday has kept this relationship a secret from her parents.
When Lucas and his parents are invited to the Addams’ home for dinner, Wednesday decides that the truth has to come out. What follows is an evening of secrets, revelations, family arguments, unexpected friendships and, of course, plenty of the wonderfully dark humour that makes the Addams family so much fun.
There are some families you probably wouldn’t want to spend too much time with. The Addams family would certainly be high on that list! Yet somehow, despite their rather unusual approach to life, death, love and everything in between, they are a family that audiences have grown to love.
I always like it when a production doesn’t try to overcomplicate things, and the set here was a good example. Two two-storey rotating stage frames formed the main structure, with the frames being turned to create the different areas. When brought together, they formed a large ‘A’ for Addams, which was a particularly nice touch. It was simple, clever and effective, allowing the performers to remain the main focus.
The lighting was similarly subtle rather than trying to dominate the production, but it worked well with the darker feel of the show. One thing that certainly couldn’t be described as subtle was the talent on stage!
As Gomez, Sam Andrews-Lyons really held the whole thing together. Gomez is such a big character, and Sam gave him plenty of energy, humour and warmth, along with a great voice. He looked completely at home in the role and carried the story along nicely, while also having some lovely moments with the rest of the family.
Steph Westwood made a terrific Morticia. She certainly looked the part, but it was her voice that really stood out for me. She has a fantastic singing voice and brought the right mixture of sophistication, confidence and that slightly dark Addams humour to the character. Loved the dancing with Sam, the Paso Doble was electric.
Sophie Stait’s Wednesday was, without doubt, one of the audience favourites. There was something immediately engaging about her performance, despite Wednesday’s rather unusual outlook on life! Sophie got the balance between the deadpan humour and the more emotional side of Wednesday just right, and she was clearly enjoying the character.
Marley Beckford gave us a lovely Pugsley, bringing plenty of youthful energy and enthusiasm to the role. Their relationship with Wednesday was great fun to watch, and they fitted naturally into this wonderfully dysfunctional family. Loved the chains and your reaction — super job, Marley!
Ed Blann’s Fester was another highlight for me. There is something wonderfully odd about Uncle Fester and his complete obsession with the moon, and Ed really embraced that eccentricity. His performance brought plenty of laughs, and his love for the moon was particularly entertaining. The flying to the moon was excellent!
Kate Green gave us a memorable Grandma, with plenty of character packed into the role, while Evan Moss made the most of Lurch. Sometimes saying very little is actually the hardest thing to do, and Evan’s expressions and physicality said plenty. Loved the singing when it finally happened!
Away from the Addams family, Jake Miles gave Lucas plenty of charm and helped provide the more ‘normal’ side of the story. He certainly had chemistry with Sophie’s Wednesday, which made their relationship believable and enjoyable to watch.
Ollie Harper brought good energy to Mal — not always easy to do, so nice job, Ollie.
Alex Stait-Bradshaw was excellent as Alice, particularly as we saw more of the character emerge as the story progressed.
And then we have the Ancestors. Caitlin Banks, Isaac Brickstock, Maz Corry, Steve Element, Dylan Foster-Agg, Rosie Harper, Lucas Moss, Elodie O’Gara, Marianna Samara and Daisy Williams, alongside Lauren Toney as Moon/Ancestor, all helped create the strange and wonderful world surrounding the Addams family.
I can’t really highlight anyone in particular, as I don’t know who played which Ancestor, but I will say that the singing and dancing were excellent. The choreography was really well managed, and the whole ensemble worked incredibly well together. There was plenty of energy on stage, and they certainly helped bring the musical numbers to life. Loved the tap and the ballet.
In fact, one of the things I particularly enjoyed about this production was how well the whole cast worked together. There were no weak links. Everyone seemed to understand the slightly quirky style that The Addams Family needs, and they embraced it. It really did feel like a fantastic team performance, rather than simply a collection of individual performances.
The music was another real strength. The band, led by Oscar Cooper-Spriggs on Keys 1 and as conductor, were excellent throughout. The music was tight and confident, supporting the performers without ever overpowering them. Oscar Cooper-Spriggs and Fiona McCanlis deserve credit for the musical direction, with additional choreography from Caitlin Rice-Jones adding further energy to the production.
Behind the scenes, Jamie Poxon’s artistic direction and production design brought everything together, with Jake Taylor handling both lighting design and production management. Aaron Brotherhood’s sound design, supported by Charlotte James on Sound No.2, worked well, while Larissa Moss, Amy Pinfold, Susan Hope, Rhiannah Price and Becky James ensured everything behind the scenes kept moving smoothly.
What I particularly liked about Dynamik’s The Addams Family was that it didn’t need a huge elaborate set or endless technical tricks to entertain. It had a strong cast, good music, some great characters and plenty of humour. The rotating set frames were clever, the performances were consistently strong and the band were excellent.
And ultimately, that’s what you want from The Addams Family. A little bit strange, a little bit dark, plenty of laughs and a family that, thankfully, is much more entertaining to watch than it would be to actually live with!
A thoroughly enjoyable afternoon and a fantastic team performance from Dynamik Theatre Company.
Welcome to BFame, Dynamik — I hope this is the first of many!
Now, who’s for a little family game?
A cocktail of dark comedy and fantasy for Palace Theatre as Into The Woods brings fairy tale twist to Redditch.
The cast of Into The Woods were overwhelmed with emotion as they returned to stage for the first time in two years for Wednesday night’s opening show at Redditch’s Palace Theatre.
Dynamik Theatre’s adaptation of Stephen Sondheim’s musical treated the audience to a magical blend of classic fairy tales, all of which take a dark but comical turn, as they seamlessly intertwine with one another.
The show cleverly follows the story of Red Riding Hood, Cinderella, Rapunzel and Jack and the Beanstalk, exploring the – sometimes fatal – consequences of each character’s wishes and quests.
Speaking about the opening performance, which took place on Wednesday, Artistic Director and Founder of Dynamik Theatre Jamie Poxon said: “The show was very, very good and the audience loved it. I’m so proud of everyone who’s helped make the production such a success.
“It’s been a tough few years for us all, so to deliver an opening show as they did is just amazing.”
With the production showcasing aspiring performers as young as nine working alongside accomplished actors who have been in the industry for more than 30 years, the cast is bursting with diversity, undeniable experience, and ground-breaking talent.
Steph Westwood who plays the witch, sensationally bought her character to life thanks to her remarkable voice and ability to successfully translate many of the emotions that come with motherhood, through her outstanding performance.
The voice of Cinderella was second-to-none thanks to actor Annabel Pilcher, whose delicate demeanour contrasted well with that of mischievous Little Red, played by Louisa Gould, whose fearless teenage traits shone throughout.
The glue of the show was rising star Mitchell Brown, who triumphantly managed to tie each snippet of the various tales together as narrator thanks to his confident stage presence.
“I knew this show would be a challenge, it’s a big show, mammoth in fact and took everyone out of their comfort zone - but I always like a challenge,” explained Jamie, adding: “But I wanted to give the Palace Theatre something new.
“And making a success of the show was even more important after the great Stephen Sondheim sadly died last year. Sondheim was iconic in the arts industry and our performance hopefully paid tribute to him from everyone at Dynamik Theatre, in our own special way.”
With the production delayed a year due to the pandemic, this was the first time for many of those involved to be back performing in front of a live audience in two years.
“I can’t describe just how good it felt having people actually watching the show again. It was a bit surreal actually,” added Jamie.
“It’s not just the cast either, it’s the musicians, the set and costume designers, and those who work backstage – we all do this because we want to make theatre and that really is all we’ve wanted to do over the past two years.
“It’s been horrible not being able to perform, in fact, it's been absolutely heartbreaking, but we’re back and we can all start doing what we love again.”
Rehearsals for the show started back in August, with Jamie saying the first time the team met up was “very emotional”.
“There were lots of tears, it was the first time all of the cast and crew members have been together in 18 months. It was very moving."
Further performances of Into The Woods will be taking place at the Palace Theatre tonight (Thursday 10th February) and Friday at 7.30pm, with two performances on Saturday, at 2.30pm and 7.30pm. Buy your tickets for the show here.
'Virtually all of the musicals written by the late, great Stephen Sondheim are complex and have their challenges to bring to the stage, it is therefore to the distinct credit of the cast and production team when any performance feels uncomplicated and entertains to the utmost. Into the Woods is probably one of the greatest complexity, a sublime mix of classic fairy tale stories from Cinderella to Jack and the Beanstalk via Rapunzel and Little Red Riding Hood and this production from Dynamik Theatre is engaging and enthralling in equal measure. A marvellous atmospheric set, taking advantage of the relatively small dimensions of the stage at the Palace Theatre, Redditch, created by Katie Bonehill, Jake Taylor and Matt Evans coupled with some exemplary direction on stage from Jamie Poxon and in the orchestra pit from Graham Irving deliver something special to the audience.
There are some incredible voices across the cast in what could easily be described as a 'singathon' of a score, there are two however of supreme quality from Annabel Pilcher as Cinderella and Steph Westwood as the Witch both could easily grace a West End Stage.
Paul Stait as the Baker and Deborah Williams as his Wife create some stellar acting interactions as at the core of the story they seek out the items requested by the Witch to enable them to have a child and the story is propelled along at a good pace with the assistance of Mitchell Brown as the Narrator (at least until his external observations are felt no longer required and he is sacrificed to the Giant).
Probably the highlight musical number of the show isn't necessarily the obvious one, 'Agony' performed and reprised with gusto by Ed Blann as Cinderella's Prince and Ben Cuffin-Munday as Rapunzel's Prince has a strange way of lifting the spirits, despite its narrative, it is however run a very close second by Steph Westwood's rendition of 'Last Midnight' as the Witch (by now beautiful but, without any magical powers) makes her final exit.
There is more than a fair share of young talent on display, not least of all Louisa Gould's feisty Little Red and Billy Stait's naive and easily impressed (by a Hen that lays golden eggs and a self-playing harp, stolen from a Giant, so who wouldn't be) Jack. Some great puppetry skills are also displayed (a skill not often brought to the stage and much underrated) by Evan Moss and Jake Miles as Milky White the cow.
Some other performances to watch out for are a second role for Ed Blann, proving his acting talents as a distinctly un-princely Wolf and Gavin Whichello's Mysterious Man, when first he appears you may not understand the reason for the character but, watch on and you will.
Into the Woods is sadly a rarely performed piece and one you shouldn't miss, so since you only have three chances left to immerse yourself in a production that I am sure Sondheim himself would be incredibly proud of, book your tickets while you can, you won't be disappointed.'

THE ADDAMS FAMILY Tickets are live on sale now, click the link below to get yours!